It was at the University of Toronto that Lilia Topouzova and her colleagues Julian Shehirian and Krasmira Butsova, recreated spaces from a Bulgarian home and turned them into an immersive audio installation where Concentration camp survivors’ voices and their silences could live on. Their installation is called The Neighbors. It was the official Bulgarian entry to the 2024 Venice Biennale. That showed that Bulgaria was now dealing with this issue, after decades of silence. We heard small snippets from the audio in the CBC Ideas radio show. In the autumn of 2023 it had its North American debut in a small room on the campus of the University of Toronto.
The room is based on 20 years of research that Topouzova and her eventual interviews with survivors. The original project was done in Sofia, Bulgaria.
Julian Chakurian, was a partner in the project. She is a historian in training doing a PhD in the history of science at Princeton university and also is a multimedia artist with an interest in archives and expositions of what she called “wayward histories.” Too many stories have been lost. Gone for good.
This is what she said about her recordings of the survivors:
“Based on the oral histories that I recorded, there were three categories of Camp Survivor narratives. There were the narratives of the people who had always told their story. There were very few of them, but these are the kind of practiced narrators. That was one way of remembering the Gulag. The second way of remembering the Gulag were people who still had memories of their experiences, but they had never told them before. Some people had never shared their story, because usually nobody asked them, but they remembered everything, and they usually had chronicles of their experiences, little notes that they had taken down. And the third category, and that is the most painful category, is of those who couldn’t speak. There was no language. There were no words.”
This was a very disturbing description of the survivors in this last category. One can only imagine the suffering that spawned their condition. As a result, this is what the 3 researchers did:
“I knew they had been sent to camps. I could see many of them had their files, but they couldn’t express. Based on these three categories that emerged from the oral histories from the scholarly research, we decided to recreate three different rooms to illustrate the different ways of remembering trauma.”
Again, I want to bring this into the modern political arena even though that might be uncomfortable to some privileged Canadians or Americans or their offspring. Imposed silence is definitely not golden. Nor should the survivors be maliciously misrepresented as people who are maligning their country, as Donald Trump and the Trumpsters are doing in American with their American descendants of enslaved people, and indigenous people. Or women who experienced sexual assaults or violence or systemic racism in that country. Or Canada. Or members of the LGBTQ community, who have suffered systemic injustice and discrimination for decades. It is a horrible defamation of their suffering by a privileged sector of their society who call them haters of their country. And again, we have similar men in our country as well. Men who want to hide the truth. We even have women who want to hide the truth.
Try to bring the truth out of darkness into light is not an act of hate against one’s country. Trying to get your country to recognize what happened there and admit that is an act of love. That is not hate. If you want to hide the truth of what happened in your country from its people, or others, that is an act of hate. If you love your country you would never do that.
