
This film much to my delight, won the Academy Award for Best Picture of the Year 2026. That was a good choice. But I was very disappointed by the few patrons that watched it. How can that be? It had great stars with great acting. I thought it was very funny. I laughed harder the second time I watched it than the first time. It had some great actions scenes, including a 3-vehicle car chase that made me feel as if I was on roller coaster. It was very well written. What are people going to see if they don’t go to see this film? I am perplexed. My theory is that any film not designed to attract teenagers won’t be watched by enough people to make much of a profit, if at all. That’s a pity.
The film is about some young left-wing revolutionaries who are definitely not treated as heroes. Neither are their opponents, the right-wing Christmas Adventurers and their leading military style cop, Col. Steven Lockjaw, played with insane aplomb and bravado by the brilliant Sean Penn. The film definitely does not worship the revolutionaries or counter-revolutionaries. It mocks them both unmercifully. Hence the ample platform for comedy. What could be better than mocking extremists in this age of extremism?
Perfidia Beverly Hills (Teyana Taylor) is the female revolutionary and seeing her 9 months pregnant, if not more, firing an automatic rifle, is a heart stopper. She tells her too tame boy-friend, Bob (Leonardo DiCaprio) to “Snap Crackle Pop.” This is revolution to the sound-track of breakfast cereals. She also makes clear to Bob that she is not his “udder buddy.” Her job as a revolutionary means she is too busy to be a mother, so poor Bob has to raise their daughter as best he can.
After the radicals bomb a few buildings, rob a bank, and kill a teller, the film changes direction. Perfidia gets caught and the establishment lands on her like a tank.
Then the film springs ahead 16 years when her daughter, Willa (Chase Infiniti) is a feisty and strong rebel, but rebelling as much against her revolutionary father as the establishment, and explains to her perplexed friends that her father is “a fucking paranoid.” But Bob, now a has-been rebel with a drug addled brain, hassles her friends and insists she says, “I love you Bob” before she gets in the car with her friends
My favorite character in the film is the incredibly laid-back revolutionary Sergio (Benicio del Toro), who calmly leads a long line of refugee children through a revolutionary melee while sipping a beer and encouraging Bob to chill, as all around him everyone except for the trusting children, are frantic. The refugees have to flee, but Sergio takes the time to introduce Bob to them as “the gringo Zapata.” Bob ends up running in a panic through the streets in his dressing gown, whining that he has nowhere to charge his phone.
Sergio sends Bob out to follow 3 young punk revolutionaries carrying skateboards, running on the roofs of buildings, jumping and bounding exactly like the Teenage Mutant Ninja Turtles. Bob follows as best he can, but inevitably, tries to jump from one building to another, and does not make it, instead landing on a tree that fortunately breaks his fall as he crashes to the ground.
What are they fighting for? As one revolutionary says, to oppose “a white bread, philistine, asshole, corporate, culture whose only end is to profess the science of advertising.” In other words, this is modern American-style revolution as absurd as the society that spawned it.
Of course, the corporate counter revolutionaries are no better. They say their goal is “no more lunatics,” but their lunacy is on steroids. These money glazed idiots called the Christmas Adventurers are introduced with a sound track of a very loud and obnoxious version of Hark the Herald Angels Sing. They meet in a secret meeting room in a bunker underneath a mansion that looks like a hunting lodge and greet each other with a hearty “Hail Saint Nick.” To be admitted to the group, each proposed member must conclude a vulnerability study called “a double Yankee anti-white Inquisition completum.” Basically that means they must demonstrate proper racial animus against all non-whites and then they are good to go. They want to attack the refugees in Baktan Cross, a sanctuary city full of thousands of “wets and stinkies.” They are flown in on a large helicopter and use automatic weapons and flack jackets, to harass the grade 6 & 7 students. Their main target is Chicken Licken Frozen Farm which they believe is a front for a large-scale heroin operation.
Willa is aided in her flight from the Christmas Adventurers by dope smoking nuns. She had been taught from an early age that when a revolutionary comes to her and says “Green Acres, Beverly Hillbillies, and Petticoat Junction” (the names of 3 inane TV comedy series years ago) she must follow their instructions to be led to safety. When Bob tries to get help for her from his old revolutionary pals, he must first give them a very complicated secret code that he learned 16 years ago. Sadly, Bob can no longer remember the Code and as a result a left-wing revolutionary, called Comrade Josh, who is a stickler for the rules, will not help Bob or Willa. Bob is extremely upset because he learned the Code so many years ago when his brain was French-fried by hallucinogenic drugs and complains to the revolutionary: “This is not how revolutionaries do shit! You’re a little nit-picking prick. What kind of revolutionary are you brother? Get a better name Comrade Josh, that’s a ridiculous name for a revolutionary.” The only thing the Comrade does tell him is his location. “I am in a secure location somewhere in between the stolen land of the Wabanaki and the stolen land of the Chumash.”
Watching 10 films nominated for best picture I thought I noticed a common theme. Many of them were infused with insane goals. This movie illustrated that well. In this film, both revolutionaries and counter-revolutionaries, had insane goals—revolution or fighting it. Neither made any sense at all.

