Category Archives: Classic Books

Re-Reading the Brothers Karamazov

 

 

 

A couple of years ago I started two projects. One was to re-read at least one great classic book  each year. As a result I have re-read Albert Camus’s book The Rebel, Joseph  Conrad’s Heart of Darkness, Mark Twain’s The Adventures of Huckleberry Finn, and Herman Melville’s Moby Dick. I also started a project I call Religious Quest in the Modern Age based on a course taught by University of Winnipeg Professor Carl Ridd in the 1970s. I heard a short version of it in 1972 on television. In it he covered some of the same books. Teh idea of such a quest, has  an inspiration to me for 50 years! Some of the books I am reading overlap both of these projects. This is one of them.

I just recently re-read  one of the greatest novels I have ever read. It is The Brothers Karamazov by Fyodor Dostoevsky. It is a brilliant novel that is infused with a powerful religious quest by the main characters. All of them in very different ways. That makes it perfect for both projects.

The book is 936 pages long (with an introductory article) and very complicated. Often, I had to re-read lengthy passages to make sure I had caught on to what is going on. That makes for very slow reading. But it is very enjoyable reading. I feared It might take me half of our 3- month holiday to wade my way through it, making many of the books  dragged out to Arizona  unnecessary. I feared I would not get to them. But that was all fine. I could not have enjoyed  my reading more. It actually took me slightly less than a month to read even with the back and forth and making notes.

I originally read The Brothers Karamazov after or just after my first year of Law School in 1972. I decided that since I had such an all-consuming year trying to learn law and had married a lovely and wealthy young lady, Christiane Marie Jeanne Calvez, the year before, and she had a fantastic $600 in her account, that I should take advantage of this to take a summer off. I reached the daring conclusion that I should take the summer off instead of working and read Russian novels instead.  This probably struck her as insane, but she did not object even though we could have used the money. My bad.

That summer I read 3 of Dostoevsky’s long novels and it was an incredible experience. I recall intense dreams filled with startling Russian characters. And I loved it. And Christiane put up with it. She has frankly put up with a lot! I had worked for 5 years of University in which I studied intensely and figured I should take a lengthy break to avoid burn-out. It was one of the greatest experiences of my life. It was magnificent.

I know my wife wished I had learned more practical things like carpentry or plumbing, but I was focused on adventures of the mind. This year in 2024 it was a wonderful thing to re-experience. That is what re-reading classics is all about.

When I re-read the book in the winter of 2024 while in Arizona, I found it was everything I remembered and more. More than 50 years later I came to the book a very different person then I was the first time, a young man filled with piss and vinegar with a lot to learn. Now I am an old man mostly “vebrukt,” (broken) but unfortunately still with a lot to learn

And now I decided to re-read the greatest of those Russian novels. Perhaps even the greatest of all novels.  And once again, it was an astonishing experience. The novel is that good and I recommend everyone read it.  Do it now before it’s too late.

 

Group Thinks v. Long Thinks

 

In the novel The Adventures of Huckleberry Finn, Huck encounters a number of deep moral dilemmas. The biggest of course is whether or not he should help Jim a slave escape from his “rightful owner” a woman who had never done him any harm. Huck “knows” what he should do. His conscience tells him that. He should not help a slave to escape. That would be wrong. But Huck stops and makes “a long think.” He must think critically.

 

Huck is also challenged by religion. He was taught that ever since he was born. Religion, together with the notion of white supremacy, is the ideology of his life. He “knows” it is right yet is challenged about it. Both of these are ideologies. They are both born from group think. We believe what we are taught by our team.

When Huck was having difficulties falling into the group think, Miss Watson would take him into the closet and pray with him.

“But nothing come of it. She told me to pray every day, and whatever I asked for I would get it. But it warn’t so. I tried it. Once I got a fish-line, but no hooks. It warn’t any good to me without hooks. I tried for hooks there or four times., but somehow I couldn’t make it work. By and by, I asked Miss Watson to try for me, but she said I was a fool. She never told me why. And couldn’t make it out no way. ”

 

As a result, Huck did what he should do.  He “set down one time back in the woods, and had a long think.” He thought about it critically with all his faculties. His reasoning would not be considered very sophisticated. As he said,

“I said to myself, if a body can get anything they pray for why don’t Deacon Winn get back the money he lost on pork?  Why can’t the widow her snuff-box that was stole? Why can’t Miss Watson fat up? No, I says to myself, there ain’t nothing in it. I went and told the widow about it and she said, the thing a body could get by praying for it was “spiritual gifts.” This was too many for me, but she told me what she meant—I must help other people, and do everything I could for others, and look out for them all the time and never think about myself…I went out in the woods and turned it over in my mind a long time, but I couldn’t see no advantage about it—except for the other people, so I reckoned I wouldn’t worry about it anymore, but just let it go.”

 

Ironically this is exactly what Huck later did. He followed her advice when it came to helping Jim. He neglected in the extreme what was good for himself—namely avoiding hell, but helped Jim anyway. And this is really what religion is all about. It is not about praying for fishhooks. It is about felling empathy for others, like Huck did to Jim. In Huck’s case it was his critically thinking, not his religious ideology that led him to do the right thing. His religious ideology taught him to do the wrong thing, namely worry about eternal heaven at the cost of his friend’s freedom. His ideology misfired. He said he would listen to this ideology but could not do it. He rejected the group think and did the right thing, thanks to a long think.

A long think combined with fellow feeling is a most powerful force!

I think that is what the religious quest in the modern age is all about.

Shouldn’t we all make more long thinks?

 

Confronting Truth and finding spiritual freedom

 

Authorities have known for a long time, at least since the time of Plato, that the rebellion of poets and artists is dangerous to established authority and power. Their alternative reality is also one that is deviant and defiant. The members of the Republic of the Imagination are always prepared to dissent. That makes them uncompliant to power that wants to dominate. That makes them subversive and hostile to arbitrary authority. Not all authority.

 

One can only belong to such a subversive group if one has not only the courage of one’s convictions, but as Nietzsche said, “the courage to attack one’s convictions.” No truths are too sacred to be attacked or challenged. Even those we hold most dear. There should be no barriers to pursuing truth. One should be free to challenge all conventional wisdom. Even the truths of patriots are open to question. The country cannot demand absolute obedience or obeisance. Great literature is always ready, willing, and able to attack any sacred cows. That is why, as Nafisi said, “If we need fiction today, it is not because we need to escape from reality; it is because we need to return to it with eyes that are refreshed, or as Tolstoy would have it, “clean-washed.

We must recognize that there are more freedoms than one. Nowadays the idea of freedom has been besmirched. In Canada we recently had the freedom convoy in our nation’s capital. The members of that convoy basically demanded the freedom to do whatever they wanted. They really recognized no limits on freedom, which of course, means they advocated for anarchy which is not freedom at all. It is an illusory freedom that they urge upon us. It is not the freedom to light out for the territory of Huck Finn.

Once again, Azar Nafisi made this point eloquently:

But of course, there are all different kinds of freedom, and the kind that is most precious, you will not hear much talked about in the great outside world of wanting and achieving and displaying.  The really important kind of freedom involves attention and awareness and discipline, and being able to care about other people and to sacrifice for them, over and over, in myriad petty, unsexy little ways, every day.  That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.

 This is the freedom of Huck Finn. He was willing to sacrifice not just his life, but put himself in peril of eternal damnation, to save his friend, a black slave. That was the freedom he wanted. And he would do anything to achieve it. It was not a selfish freedom; it was real freedom. It was not the freedom of the convoy for whom freedom was all about me.

In its essence this is the freedom to think. Even if it’s a “long think.” The freedom to think for oneself, not chained to the conventional wisdom. It takes courage to be free. And no one had more courage than Huck Finn. After, all he was willing to risk eternal damnation. This is the freedom of Huck Finn!

 That is what a spiritual declaration of independence is all about.

We need a Spiritual Declaration of Independence

 

The original American dream was a dream of freedom. Sadly, that dream is often for sale or forsaken.  Many Americans have given up on that dream. They are willing to turn their lives over to a strongman, no matter how foul. They have traded their freedom for the perceived belief that only a strong man can save them from the carnage. Instead of freedom these paltry Americans (just like their equally paltry Canadian cousins) want security or wealth or fame or grimy tax breaks.

 

The members of the fictional world, epitomized by Huck Finn who would not give up his freedom for anything, are the real heroes of the American and Canadian dreams. As Azar Nafisi said,

“We must remember that, despite the prevailing attitude today that arrogantly defines success as money, the real heroes of this nation’s fictional landscape are vagrants, marginal, and subversive, from Melville’s Bartleby, the scrivener whose mantra is “I would prefer not to,” the heroines of Henry James and Edith Wharton, Ralph Ellison’s Invisible Man, Zora Neal Hurston’s Janie, Bellows Herzog, Philip Roth’s Sabbath   or Omar Little of The Wire, who reminds us of the importance of a code of honor. All seek integrity and listen to their hearts’ dictates, cautioning us against our willingness to betray the American dream when it is, as Fitzgerald put it, besmirched with the “foul dust that floats in the wake” of our dreams.”

 

That is why Nafisi said “we must make a new declaration of independence, a spiritual rather than a political one this time.

 

Like young but brave Huck Finn, all must be able to enjoy “a freedom to turn their back on society and what is expected of them, and to forge their own lonely path.

Like Huck we must be free to abandon conventional wisdom or morality and “light out for the territory.” If Huck can do it, we can do it. The American dream, which really is also the Canadian dream, may be besmirched but it is not dead—yet.

 I would go so far as to say that is a religious quest in the modern age.

Books Matter in the Republic of the Imagination:

 

Perhaps people living under totalitarian regimes know better than the rest of us that books matter. In such countries people are not allowed to read any book they desire to read. They can only read the approved books. Those are the books that align well with the interests of those in power. If they want to read The Adventures of Huckleberry Finn they may not be able to do so. Even in Canada and the United States some people want to control the books that the rest of us read. Such people don’t believe in freedom of expression or the freedom to read. They usually have a “good cause” to justify their intrusions into our reading lives.  I am not saying all restrictions are unjustified intrusions. I am only saying we must be vigilant to ensure that only the very rare books justify such an intrusion.

That is why we learn that books really do matter. As Azar Nafisi said,

 

“…books matter, that they open up a window into a more meaningful life, that they enable us to tolerate complexity and nuance and to empathize with people whose lives and conditions are utterly different form our own.”

 

In unfree states, or in states on the road to unfreedom, such as perhaps the United States is headed, some people want to prevent others from reading anything contrary to the truths they hold dear. In Iran that means no deviance from the form of Islam the regime has approved. In the southern US that means no deviance from the approved belief among the powerful that the US is not a racist country. In some parts of the US, like Florida, among conservatives, that means no books that foster a view of gender and sexuality that fails to conform to the conventional wisdom of evangelical Christians. At least the children should not be allowed to read such books. They do not want others to have fellow feeling for those living lives different from their own.

Huck Finn refused to give obeisance to the conventional wisdom about race. He was the consummate rebel from the conventional wisdom. Nafisi put it well:

Huckleberry Finn is perhaps the most memorable of those humble citizens of the imaginary America who stand up to forces great and terrible, but Huck refuses to return home, thus foreshadowing the destinies and shaping the choices of so many other fictional American characters who either leave home, never return, or long to do so. Those homeless protagonists of American fiction become the true guardians of what is best in American individualism, never identifying happiness with wealth or power. Perhaps in no other fiction, in fact, is materialism so frowned upon, or defined as the root of so many evils—an ironic but salutary reminder for a country so blatantly devoted to the pursuit of wealth and power.

 

Only brave rebels like Huck Finn can resist the lure of that materialism. They make the mistake Bob Dylan warned about namely, “don’t go mistaking paradise for that home across the road.” Like Huck Finn who preferred the freedom of life on a raft to the comfortable but “smothery” home.

The members of the Republic of the Imagination are the writers, musicians and artists that are rebels who say no to the smothering ideology of the conventional wisdom. As Azar Nafisi said,

“All writers are strangers, or pariahs, as Hannah Arendt put it. They look at the world through the eyes of the outsider” but only the American writers turn this attribute into a national characteristic…we need to reflect on this constant restlessness, this unending questioning, this battle between the desire for prosperity and success and the urge to walk away from it all, to be wary of complacency—in short to perform the miracle of the small vagabond Huck, who followed his heart as he floated on a raft down the Mississippi.

 

That was why Huck decide to “light out for the territory” rather than be smothered in comfort. That is why Huck is a charter member of the Republic of the Imagination. But we can all join.

 Books matter in the republic of the Imagination; none more so than the classics like Huckleberry Finn.

Thinking not dying

 

Can great literature lead to great societies?

There is no obvious and direct link between democratic societies and great literature. As Joseph Brodsky correctly pointed out, Lenin, Stalin, and Mao were all very literate men. That did not help societies in the countries they led. But that does not mean there is no connection.

Democratic societies, it has often been observed, need good citizens. Citizens who have not forgotten how important freedom is and know that to protect a fragile democracy—and all democracies are fragile—an alert and informed citizenry is essential. Azar Nafisi explained how books like the Adventures of Huckleberry Finn were important as a consequence:

For this they need to know, to pause, to think, to question. It is this quality that we find in so many of America’s fictional heroes, from Huckleberry Finn to Mick Kelly in The Heart is a Lonely Hunter. How can we protect ourselves from a country of manipulation, where tastes and flavors are re-created chemically in laboratories and given to us as natural food, where religion is packaged, televised, and tweeted and commercials influence us to such an extent that they dictate not only what we eat, wear, read, and want but what we know and dream. We need the pristine beauty of truth as revealed to us in fiction, poetry, music and the arts: we need to retrieve the third eye of the imagination.

Democracies can benefit from its citizens engaging in what Huck called “a long think.” Nothing is better for purpose than literature or art, or other works of the imagination. This is what Nafisi called “The Republic of the Imagination.” This is what allows us to live and avoid a smothery death.

In totalitarian societies people risk their lives to achieve this. The risks are clear and present. But even in democratic societies lives are at risk to, for smothered lives are not worth living.

People in totalitarian societies often appreciate the freedom to read much more acutely than citizens of democratic societies. But they are not the only ones. As Scout said in that wonderful book To Kill a Mockingbird, another classic, “Until I feared I would lose it, I never loved to read.  One does not love breathing.”

In the Republic of the Imagination, as Nafisi says, “We must read, and we must continue to read the great subversive books, our own and others.”

And in my opinion there is no more subversive book than The Adventures of Huckleberry Finn. That is why it is a great book. Perhaps the best novel of all time. That is a possibility.  It is my favourite novel.  That is a certainty.

Tom Sawyer, who appears in this book at the beginning and then returns to wreak havoc near the end of the book, is completely befuddled by what he has “learned” from reading books. It gets Tom into trouble and more importantly endangers the lives of others, such as the slave Jim. He keeps insisting how they must conform to the books no matter how absurd and no matter how little he understands of what those books actually say. Sawyer is continually barking up the wrong reality tree.

 

Tom asks Huck, “Do you want to go doing something different from what’s in the books and get things all muddled up?” Huck agreed, saying: “all kings is mostly rapscallions…You couldn’t tell them from the real kind.” Huck’s conclusion was a sound one: “Sometimes I wish we could hear  of a country that’s out of kings.” Huck would appreciate the wisdom of John Lennon.

We can think or we can die. That is the  choice.

Avoiding a Smothery Death

 

I know I have been going too long about the wonderful book, The Adventures of Huckleberry Finn. But it is a classic and classics are worth it. At least in my opinion they are worth the extra time. I promise to bring these posts to a close soon. But I think there is so much to learn from that novel.

It is obvious that totalitarian societies impose horrendous encroachments on freedom.  Democratic societies are more subtle.

Of course, in a democratic society the arts of the imagination don’t usually threaten the state, but they help seduce us into what Nafisi e called “a paralysis of consciousness” and what she also referred to as “an intellectual indolence.” Both of those were  recognized by Huck Finn, though he expressed it in other words such as “smothery.” Huck Finn demonstrated that in order to avoid the “smothery” embrace of a conformist society it was absolutely necessary to rebel and “light out for the territories.” Nothing else will suffice.

Nazar Nafisi put the issue this way:

“Every state, including a totalitarian one, has its lures and seductions. The price we pay for succumbing is conformity, a surrender of one’s self to the dictates of the group. Fiction is an antidote, a reminder of the power of individual choice. Every novel has at its core a choice by at least one of its protagonists, reminding the reader that she can choose to be her own person, to go against what her parents or society or the state tell her to do and follow the faint but essential beat of her own heart.”

 

No one better exemplifies this awful choice more than Huck Finn who is willing to go to hell for doing the “wrong thing” so that he can save his friend Jim. Who is a better emblem of freedom and dissent from conformity that that?

Huck knows that to give in to “sivilization” and the Sunday school marms like Miss Watson, is to accept a “smothery” death and he won’t accept that. Instead, he will “light out for the territory” because  “there warn’t no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don’t. You feel mighty free and easy and comfortable on a raft.” Huck would not give up freedom for a comfortable home.

Huck was like the great artists mentioned by Nafisi when she said,

“What made Brodsky, Nabokov, Czeslaw Milosz and Hannah Arendt—all of whom took refuge in America (Einstein too for that matter)—resist the totalitarian states of their home countries and reject the empty temptations of Western democracies was essentially one and the same thing: they knew that to negate and betray that inner self was not just a surrender to the tyrant’s will but a sort of self-inflicted death. You become a cog in a vast and invisible wheel over which you have no control—Charlie Chaplin’s Modern Times, only without the comedy.”

Not for them a “smothery” death. Not for me either.

A Hit List or a reading list

 

Azar Nafisi is a professor of literature now living in America, who originally taught literature in Iran.  In fact she taught American novels including The Adventures of Huckleberry Finn.  She taught this amazing book, whose theme is freedom, to Iranians students in Tehran. Eventually Nafisi left Iran for freedom in America. She loves literature and the works of the imagination as I do. She is just much more eloquent than I am.  She said,

“The way we view fiction is a reflection of how we define ourselves a nation. Works of the imagination are canaries in the coal mine, the measure by which we can evaluate the health of the rest of society.”

 

She learned this, she says. She taught in the midst of a totalitarian society. In the novel Huck had an awful choice to make. He could choose to follow what he called his “conscience.” By that he really meant conventional morality. This is what he had been taught by his family, and his society around him. These were the authorities. If he followed them, he would bring the slave Jim back to his “rightful owner’ the good Christian Miss Watson. Or he could choose to follow what he had learned in his life with Jim—i.e. that Jim was the best of all the people he knew and he was his true friend and he should help him to freedom so Jim could reunite with his family. Huck chose to do what he thought was the wrong thing, the thing that would lead him to hell, but would save his friend. Could anyone ever have a better friend? He literally risked it all to save his friend.

The poet Joseph Brodsky, like Azar Nafisi, had been brought up in a totalitarian society. He in Russia; she in Iran. Both came to appreciate the revolutionary power of the imagination and works of the imagination. Not that they are a panacea. After all, Brodsky pointed out, Lenin, Stalin, and Mao were all literate people who read lots of books. Brodsky said, the problem is “their hit lists were longer than their reading lists.

That is why totalitarian states, and authoritarian leaders are so quick to attack books and the liberal arts. They know that these works are dangerous to the authoritarians.  Both, whether, from the left or the right, want to remove them at all costs. As Nafisi said, “They know the dangers of genuine free inquiry.” Some of these authoritarians even in the west, have tried to ban The Adventures of Huckleberry Finn. Why? They are doing it for the same reason the dictators did—i.e. to control the readers. They don’t want the readers to think.