Barbie

2024 Trip to South West United States, Death of Truth, The Sleep of Reason

 

In the film Barbie the wall between the “real world” and the “fantasy world” has been rubbed thin. Not only that, but in an absurd way, it as if the fantasy world is seen through a Fun House mirror. The “real world” is Los Angeles, which as we all know is the original fantasyland. In this film L.A.  is the gritty grim reality. The other direction is the “perfect” Barbie Land.  As we know the original Fantasy Land was invented in Los Angeles by Walt Disney.  And all you need to do to travel from one of those worlds to the other, is turn around your pink sports car and head in the opposite direction. Simple. Not?

In the world of fantasy everything from the real world is reversed. America, as we all know, has been in FantasyLand since its founding. One of those fantasies has been the fantasies of young girls. That of course, is the fantasy  that they are or can be Barbie.  The doll with the perfect life. The doll from Barbieland.

The film Barbie tackles that phenomenon with glitz, glamour, and stars from Hollywood—another land of fantasy of course. Reality’s doppelganger,  Barbieland is a matriarchal society filled with many versions of Barbie.  Each of the Barbies hold prestigious jobs such as scientists, political leaders, and professionals.  Obviously, absurd fantasies. The Kens, from Ken Land on the other hand spend their time playing at the beach. In fact, playing at the beach is their job. A nice job if you can get it. Yet Beach Ken (“Ken”) played by Ryan Gosling is only happy when he is with Barbie  or, as she is sometimes called, “Stereotypical Barbie” (Margot Robbie). In fact, Ken is not real unless she is looking at him. And he knows it.  But Barbie is constantly playing hard to get and frustrates Ken to no end. She makes life impossible for him. Though is life has always been impossible.

But one day reality intrudes and that changes everything. All of a sudden Barbie worries about death. How can that intrude into the perfect Barbie Land? At the same time, Barbie has bad breath, cellulite, and flat feet. Horrors. Why doesn’t reality stay where it belongs? On the outside! Barbie seeks out help from Weird Barbie (Kate McKinnon)  a badly disfigured doll.  Far from the  perfection of Barbie. Weird Barbie tells Barbie she must find the real child who plays with her in the real world. Eventually, she does find that child Sasha (‘Ariana Greenblatt’), but it is her mother Gloria (America Ferrara), who really transforms the Barbies with a stirring speech about how impossible it is to be a woman in the real world. Here is part of what she says:

 

It is literally impossible to be a woman! You are so beautiful and so smart and it kills me that you don’t think you’re good enough. Like we have to always be extraordinary and somehow we’re always doing it wrong. You’re supposed to be THIN but not TOO THIN and you can never say you want to be THIN you have to say you want to be HEALTHY but you also have to BE thin. You have to have money but you can’t ask for money because that’s crass. You have to be a boss but you can’t be mean. You’re supposed to lead but you can’t squash other people’s ideas. You’re supposed to LOVE being a mother but don’t talk about your kids all the damn time. You’re supposed to be a career woman but always be looking out for other people. You have to answer for men’s bad behavior, which is INSANE, but if you point that out then you’re accused of complaining. You’re supposed to be pretty for men but not SO pretty that you tempt them too much or threaten other women. You’re supposed to be part of the sisterhood but also stand out but also always be grateful. You have to never get old never be rude never show off never be selfish never fall down never fail never also always be grateful. You have to never get old never be rude never show off never be selfish never fall down never fail never show fear never get out of line It’s too hard, it’s too contradictory and no one says thank you or gives you a medal, and in fact, it turns out, somehow, that not only are you doing it all wrong but that everything is also YOUR fault. I’m just so damn tired of watching myself and every single other women tie ourselves in knots so that people will like us. And if all that is also true for a doll just representing a woman then I don’t even know!

 

How will all of this end?  Yet we have to live through the battle between the Kens and the Barbies and frankly it is not a fair fight. The Kens hardly have a chance. As Barbie says, “You play on their egos and their petty jealousies and you turn them against each other. While they’re fighting, we take back Barbie Land.” And it is amazing how shockingly easy it is to get the Kens to fight each other and make themselves easy pickings for the takeover by Barbies. that turns out.  They are just like real men in other words. The Kens look at each other suspiciously. No Ken can be trusted!

But there is another fight and that is the fight between everyone and the corporate intellectual pygmies at Mattel who own and control the Barbie franchise. This one is a fairer fight. Although the Mattel executives have power,  they lack brains. They are basically idiots. Take Mattel executive Aaron Dinks who asks a wonderful question: “Um, I’m a man with no power, does that make me a woman?”  Maybe he is not an idiot after all. The executives try to get Barbie who drove to Los Angeles to agree to get back into the box in which she had been marketed, but Barbie escapes. Amazingly, she prefers the imperfect to the perfection in Barbie Land. FantasyLand has its limitations she learns. So she bolts for freedom and we get the revolt of the dolls! And the executives chase her to get back in the box where they can sell her.

Can the Kens establish the patriarchy? Or will Barbie succeed in leading the Barbies in the pink revolution?  Barbie said, “I want to be part of the people that make meaning, not the thing that’s made. I want to be the one imagining, not the idea itself. Does that make sense?”  Her friend Ruth (Rhea Perlman) said, “I always knew that Barbie would surprise me.” She was right about that.  Whoever thought a movie about a doll would make sense?

 And I don’t want to give the results away. You have to watch the film to find out.

Past Lives

2024 Trip to Southwest USA, Movies

 

Past Lives is delightful film that resists all the conventions. I like films like that. I never knew where it was headed right from the opening scene. Thats why I won’t tell you much about what happens,  You have to see it develop to appreciate it.

In that opening scene, we see but cannot hear 3 people sitting at a bar.  There is an Asian woman sitting between an Asian man and a Caucasian man and we are invited to consider why the three of them are there.  The Asian woman and Asian man mainly ignore the Caucasian man. What is the story behind this?  I had no idea. I doubt that very many people would guess what was going on.

During the rest of the film we learn how they are connected and how those connections change over time. There are some deeply poignant scenes that pull at your heart strings in remarkable ways, always without following conventions and also with keen insight.

I loved the cinematography both in New York City and Seoul. The scene where the young “couple” go their separate ways in a fork in the road.  They look at each other with heart-breaking sadness. There will be  reunions and separations. The scenes of New York were also quietly lovely without being overbearing. . The images of flowers reflected in the water are gorgeous. The city is quietly beautiful. How can that be? Can New York City be like that? Not what we would expect. But this is a movie that will challenge your expectations. That is what makes it so interesting.

I particularly enjoyed the character of Arthur, the quiet American who again is played against conventions. Arthur is not the stereotypical American. He is gentle and loving and does not impose his will on the others. And his gentleness is strong.  The movie will challenge your expectations.

This is a little gem of a film that I likely would not have seen except for the fact that Christiane and I are trying to see all 10 of the films nominated for Best Picture of the year. After all much of it is in Korean with subtitles. But a friend of mine told me in Europe everybody watches movies with subtitles. After all they are civilized. And cultured. Get used to it or be a Philistine. Had I missed this film my life would have been significantly poorer.

Anatomy of a Fall

2024 Trip to Southwest USA, Movies

 

 

The director of this film is Justine Triet who won the Palme d’Or at the Cannes Film Festival with this film that later became a hit in France. She was only the third female director in the 76-year history of that festival to win that top prize.  That the movie was a hit there and not in North America tells us much about the two cultures.

The film is centred on the death of a man from a fall from a French chalet and the sole issue is whether or not he fell or was pushed by his wife. Disturbingly, the corpse was discovered by the son of the couple.

First, I was fascinated by the details of the French Inquisitorial legal system so unlike our English adversarial model of trials. It seemed like the principals at the trial, the judge, the prosecutor, the expert witnesses, and defense lawyers were engaged in a psychological inquiry that felt penetratingly real and satisfying.  In many ways better than ours.

The really haunting actor in the film is Machado Graner who plays Daniel, aged eleven, the son of the accused woman and the deceased.  He says “I want to understand.”   We all want that of course. And that seems to be enough for the French court to permit an 11-year-old child to attend in court while awkward intimate details about his parents are revealed. Yet Daniel is central to the film Even though he is legally blind, what he “sees” or hears or doesn’t see or hear,  is vital to the mystery and its unfolding. It is he who has to decide if his mother killed his father or his father committed suicide. Not a great choice for an 11-year-old kid.

This is a mystery with a deep feeling of reality, even though the lawyer for the accused novelist, Vincent Renzi (Swann Arlaud), tells his client Sandra Voyter (Sandra Hüller), speaking of her murder trial, “this is not about the truth, this is about perception.” The lawyer also counsels the wife “you have to start seeing yourself how others are going to perceive you.” She tells her lawyer “I did not kill him.” And he responds, “that’s not the point.” If that is not the point what is?

The director Justine Triet who also wrote the script with her partner, said to the New York Times this about why he liked his choice of her as leading actress:

“the absence of any kind of seduction both on and off the set… [she] says what she thinks and is very direct.”..[this honesty], is probably what gives her such power on set: She’s real.”

 

I agree with that completely. The fight she had with her husband felt hyper real. It was spell-binding.

The mother wakes up her son the day before her son has to testify in her trial for the murder of his father, and tells him, “I’m not a monster.”

When truth unravels the result is not necessarily a revelation. In fact, it might not even be the truth.  It can just as well be another veiling of the truth.

The family dog, Snoop, may be the only witness to the murder, if it was a murder. In a weird way the dog does bring out the truth. And I mean that literally. You’ll know what I mean when you see it.

Maestro

2024 Trip to South West United States, art, Movies, Music

Maestro is a supercharged film. It needs to be for it is a story of life that was huge. It is the story of Leonard Bernstein (Bradley Cooper)  the legendary Maestro and his prickly but loving relationship with his wife Felicia Montealegre (Carey Mulligan).  From the opening scene where Leonard Bernstein, an assistant conductor of the New York Philharmonic, is called to the big stage as the conductor, his career was explosive. He was called up on very short notice to replace the conductor who was sick. Needless to say, Bernstein was up to the challenge. A new star was born. Immediately.  For Leonard Bernstein was an absolute star. He conducted with astonishing exuberance. The audience seemed to enter a state of rapture with the performance. When I watched Bradley Cooper play the star I was as mesmerized as I think I would be seeing a supernova’s birth. Compelling is not a strong enough word.

Bernstein said this about art: “A work of art does not answer questions it provokes them, and the essential meaning is in the tension between the contradictory answers.” That is what Leonard  Bernstein did and this film is true to that fact and those tensions.

In the film Bernstein was interviewed on television by the famous Edward Murrow who wanted to know what was his primary occupation. After all Bernstein was a world famous conductor and  composer of music. Added to that he was a teacher of music. So what was his main occupation? He had a good answer that neatly ducked the question—he was a “musician” he said.  “Anything that has to do with music is my province. Whether it’s composing it, or conducting it, or studying it, or playing it. As long as its music I like it and I do it.”  That was the central point of the film No one occupation could contain him. And no one person could contain his love. It overflowed. Like many great artists he needed many lives to live. And that can be very hard on those he loves.

The first part of the film is shot in black and white and the latter in color. Ultimately, as his wife Felicia eventually realized, Bernstein could not be constrained by 2 choices. They could not contain him. He loved his wife. And he loved having sex with men. Such a man must be experienced in color. Black and white alone is not enough.

Murrow then asked him what is the difference between the life of a composer and the life of a performer. Bernstein replied:

“It’s a personality difference between which occurs between any composer or creator versus any performer.  Any performer whether its Toscanini    or…whoever it is, leads a kind of public life. An extrovert life if you will. It’s an oversimplified word, but something like that. Whereas as a creative person who sits alone in his great studio that you see here and writes all by himself and communicates with the world in a very private way and has a rather grand inner life rather than a grand outer life. And if you carry around both personalities. I suppose that means you become a schizophrenic and that’s the end of it.”

 

Bernstein has more than 1 life. He lives with his wife whom he loves, but he has another life where he has affairs with men. One life is not enough. His wife Felicia thought she could survive on what Bernstein had left for her. But she wanted more. It was not enough.

These lives were still not enough for Leonard. As he told Murrow, “Music was the greatest thing I could do and when you add it all up, I haven’t done much.”

As a result of not being able to give Felicia all that she needed, Bernstein said “she has a deep sense of futility.” Therefore, he felt he was not creative enough. “I feel like the world is on the verge of collapse. I’m quite serious. The grinding of creativity which is coming to a grinding halt.”

Bernstein knew that he needed time alone, but because of his performing personality it was hard for him to be alone. That was part of his struggle as a composer. “Can one ever believe that man is just this trapped animal. He is a victim of his own greed and folly. And either one believes in the divine element in this or one doesn’t. As long as I believe it, which is I assume I love people so much, that I have to believe in a remote corner of my soul, there is a way out.”

After one stirring concert of a work, he had created he is sitting in a box seat with his wife Felicia and his lover Tommy. She sees Leonard holding hands with Tommy and not with her, right beside her. They did not even try to hide it. They had always agreed that he would be discreet with his dalliances.  It upsets her terribly. But Leonard is the great artist. Everyone has to bend to his desires.

When Leonard and Felicia have a terrible fight and she denies what he said about all the love in his heart. She says, he has “hate and anger” in his heart. Not love.  “Your truth is a fucking lie,” she yells at him.

Leonard’s sister Shirley tells Felicia, “He is a horribly aging old man who just can’t be one thing.”  She understands him well. He can’t be contained by one thing.

Yet perhaps Leonard’s best person came out when Felicia was dying of cancer. He was relentlessly there for her. Felicia has a change of heart and tells Leonard lovingly, “There is no hate in your heart.” He becomes a devoted husband until she dies. And he learns a valuable lesson: “All you need is to be sensitive to others. Kindness.”

That is all that anyone needs.

 

Leonard also shows the same feelings to his music students.  He tells the orchestra: “I think the whole point of the piece is becoming one.” All the instruments and all the players become one. Then when he meets a student at the bar, and quotes Edna Vincent Millay to her:  “If summer doesn’t sing in you, nothing will sing in you. If it didn’t I would have jumped in the lake a long time ago.” There was no doubt that summer sang in Bernstein for a while. A considerable while in fact. But not forever. Eventually his life of great music, great wealth, fame, sex, alcohol and drugs took its toll. The summer song could no longer be heard in him. But of course, summer is just a season. It is not a life.

 

But this film sings. For a season. And that really is enough.

Poor Things

2024 Trip to South West United States, Movies

 

 

One afternoon this year in Arizona, with our friends MaryLou and Dave Driedger who were staying with us for a couple of days, we went to see a movie.  We try each year to see as many of the films as we can that have been nominated by the Academy of Motion Pictures Arts for Best Picture of the Year. Presumably, those films are worth a look.

As a result of doing that we see a lot of movies we probably would never otherwise see. Poor Things, the movie we saw today is probably one of those we would never have gone to see. My first reaction to the film was not very positive. In fact, I thought the title referred to us. We were the poor things who paid to see the film. It was pretty close to porn. Frankly, I considered it “claptrap.” Its ideas seemed clunky.  By and large I considered it messy nonsense.

So I thought at first.  Later, I had time to moderate my opinion. Maybe it was not claptrap. It was not pornography. First, because it was nominated for an Academy Award, for Best Picture, and earned11 nominations in total! How could it be pornography? It was performed by big name stars including Emma Stone for best actress and Mark Ruffalo for best actor. Perhaps I was wrong. It does happen.  So what had I missed?

To begin with,  I asked myself was it pornography? Pornography is notoriously difficult to define. Many people say—I have said it myself—I don’t know how to define pornography but I know it when I see it. I had to admit to myself the sex was obviously not inserted to arouse sexual desire. It wasn’t at all arousing. It was clinical and comic. Besides there was a point to the sex. It was a vital part of the story of the film.

The first thing viewers must realize is that there is a lot of sex in this film. But is that really so bad?  Why? Bella knows nothing about sex and nothing about conventional attitudes about sex. She is free to explore and that is exactly what she wants to do.

The story of the film is the story of a young girl Bella Baxter (Emma Stone)  created by a scientific experiment by an unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). He is like a father to Bella or even a god. In fact, Bella refers to him by the short name, “God.”  The Doctor does in many respects play the part of a god. A very unusual god.  Bella is brought to life by a transplant performed by God of the brain of a very young child into the body of an older woman. Her mother in fact. As a result, Bella has no preconceptions and this is the point. She knows nothing about any of our conventions so she feels no need to be shackled by them. Soon it is obvious they don’t make sense. Why do we feel bound by them unless they actually make sense?

The first thing Bella notices is that there is a lot of pleasure involved in sex. In fact, she asks, “Why don’t we do this all time?” Now that is a pretty good question. Secondly, Bella, has no sense of shame. She does not understand why anyone would feel shame about sex. Well, why should she?

As a result, Bella embarks on what most of us would consider an ill-advised trip to Europe with a debauched lawyer (not an ideal travelling companion) who becomes mesmerized by Bella. But it does turn into a trip of discovery, which of course, every trip should be.

No wonder this is a good movie. All of these are interesting questions and a film that explores them is well worth the look.

I must admit that the rest of the film was not very inspiring. But was it claptrap? Probably not.

 

When Hatred and Violence Goes Mainstream

2024 Trip to South West United States, 2024 Trip to Southwest USA, criminal Justice, Decline of the west, Domestic Terrorism, Political Violence

I have been living in the United States for 2 months now with more to come. I am learning, as if I did not know already, that this is a very dangerous place.

PBS News Hour interviewed an expert on domestic terrorism by the name of Cynthia Miller-Idriss, of American University. She is the director of American University’s Polarization and Extremism Research and Innovation Lab.

She said she wished she lived in a world where the FBI had enough resources at its disposal to complete its investigation into the crimes committed at the US Capitol on January 6, 2021. Don’t we all wish that?

Miller-Idriss made one of the most surprising statements I have ever heard. She said this on PBS News Hour:

“We don’t have the capacity in any law enforcement agency to handle a surge of political violence or hate-fueled violence when that — when it’s driven by misinformation that is believed by millions and millions of people.”

 

She is an expert on domestic terrorism in the US and she says that America can’t deal with a surge of political violence! And frankly that makes perfect sense in a country like the US where it is apparent that millions of Americans believe the misinformation that is fueling the hatred there. The problem is that the hatred and violence in the US has gone mainstream! As a result, she says, everyone who works in her field is very worried. And that worries me. Particularly when I live here for 3 months.

 Of course, it is difficult for police forces to deal with domestic terrorism when it has not just implicit, but explicit support from the political leaders.  For example, this is what Republican Congressman  Matt Gaetz said immediately after the violence on Capitol Hill after President Trump fired up his supporters that they must “fight like hell” for their country or risk losing it:

“Some of the people who breached the Capitol today were not Trump supporters. They were masquerading as Trump supporters and, in fact, were members of the violent terrorist group Antifa.

 

Even more shocking were the statements by the new speaker of the House of Representatives Mike Johnson who earlier had been one of the leaders of the project of the Trump team to file lawsuits seeking to overturn the 2020 presidential election. He said he wanted to make public a video of the events that occurred on January 6, 2021 but would blur the faces so the rioters could not be identified:

“We have to blur some of the faces of persons who participated in the events of that day because we don’t want them to be retaliated against and to be charged by the DOJ.”

 

Think about that.  the leader of the House of Representatives said openly he wanted to help rioters who threatened to hang Mike Pence and wreck the Capitol to avoid criminal prosecution

In addition, Trump and many of the current GOP presidential primary candidates have promised to pardon Jan 6 rioters.  They are giving their blessing to what many judges and juries have already determined in many cases of the criminal trials of the leaders of the riot was sedition! That to me is astounding! And frightening.

 

When Law Makers and Law Enforcement  Support the Violence

2024 Trip to South West United States, 2024 Trip to Southwest USA, Death of Democracy, Decline of the west, Domestic Terrorism, Political Violence

 

One of the things that shocked me when I watched the violence and rioting unfold at the Capitol in Washington on January 6th 2021 was the presence, in a supportive role, of what appeared to be cops or military in the midst of the rioters. They believed in the cause of violent insurrection in the support of a lawless President.

As Ryan Reilly author of a book called “Sedition Hunters: How January 6th Broke the Justice System,” said about the rioters:

“We do have a lot of people within the FBI who are not so enthusiastic about bringing these cases against people who attacked the Capitol on January 6…There are, and I say that because some of these individuals who were at the FBI have come out and said that publicly. They have resigned from the FBI because of these cases.”

 

 

He said he would work against the FBI charging rioters. Reilly also pointed out that not only did current and former law enforcement officials push conspiracy theories, so did members of Congress who outright opposed the investigation into the crimes committed at the Capitol on January 6th. The current speaker of the House, Republican Mike Johnson, was one of those obvious supporters.  Added to that, he said many of them “contributed to misinformation about what happened that day.”

Think about that: Law makers and law enforcement supporting domestic terrorism. I  repeat what I have beeen saying: how can anyone deny that America is a country in serious decline?

Sedition Hunters

2024 Trip to South West United States, 2024 Trip to Southwest USA, Death of Democracy, Decline of the west, Domestic Terrorism

 

The investigation by the FBI into what happened at the US Capitol on January 6th is the largest criminal investigation in the history of the Federal Bureau of Investigation. The FBI is so overwhelmed it is relies on tips from amateurs doing their civic duty, as they see it, to pursue leads about the rioters so they can help the FBI to identify insurgents. One of those citizens, talked to PBS’s Judy Woodruff and told her that she had joined a massive citizen organization, including Trump supporters, to identify the people who participated in the riot at the Capitol by attacking police and the Capitol security.

As a result, that woman now has to hide her own identity because American right-wing extremists are threatening her personally to such an extent that she fears retaliation. One of the ones she called “insidious” was sending her videos of himself racking his gun. Imagine if you received such a video. 

The group of citizens is now referred to as “sedition hunters,” because as Judy Woodruff said on PBS News Hour,

“Over time, they developed their own methodologies, guidelines, even a software application to keep track of every individual rioter, giving each one a pseudonym and compiling dossiers of evidence that they then turned over to the Federal Bureau of Investigation, along with the rioters’ real identity.”

As Ryan Reilly NBC Justice Reporter said, “The FBI was overwhelmed with the number of tips that they were receiving. They had received hundreds of thousands of tips.” Reilly, the author as well of the book “Sedition Hunters: How January 6th Broke the Justice System,” described how the FBI has struggled to investigate the thousands of claims about people who stormed the Capitol.

Of course, according to FBI data,  the number of domestic terrorism cases in the US have increased by about 490% between 2016 when Trump was elected and 2021 when he lost the election and Biden was inaugurated.

Frankly, it is astonishing to me that the richest country in the world is unable to properly investigate the crimes committed at what the Americans refer to as a sacred place for its democracy. Many of those cases will expire because the statute of limitations is approaching and after that the perpetrators can’t be prosecuted. The FBI does not have the capacity to investigate all cases in time to meet the deadline!

 How can the US deny that it is a country in decline?